Parade was Picasso’s first collaboration with the Ballets Russes and in a letter sent to a friend, Jean Cocteau the librettist said “Picasso amazes me every day, to live near him is a lesson in nobility and hard work” (Rothschild 49).
Picasso’s studio in Rome had a little crate that held the model of "Parade" with its trees and houses, and on a table were the painted characters: the Chinaman, Managers, American girl, and horse.
Cocteau described his friend’s unusual artistic process: “A badly drawn figure of Picasso is the result of endless well-drawn figures he erases, corrects, covers over, and which serves him as a foundation. In opposition to all schools he seems to end his work with a sketch.” The audiences were amazed by the first ballet to have cubist costumes, sets, and choreography.
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